If there's a demand, I'll add more. Let me know what you think.
-Bob
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News, notes and ideas on music marketing, self-promotion, artist empowerment and more
"Music is not just entertainment, but a tool for people to describe themselves to those around them. We use music in our ring tones, on MySpace pages, blasting through the windows of cars to let people know something about who we are."
3. They don't pay you. Oh, they'll give you an ever-shrinking advance. But royalties? No one sells enough albums to go into royalties anymore. And they own the rights to the recording. Terry McBride's got it right: You want to control all the rights, so you can license INSTANTLY! So you don't have to get someone on the phone to say YES to YOU about YOUR music!
Oh, they'll give you money to get started, but it's like making a deal with the Mafia. They own you, forever.8. They only want you once you've proven yourself independently. If you've created the base, why give up control now?
11. They specialize in saying no. Music is now about inspiration, made by the seat of one's pants. You have to do business the same way. In this fast, ever-changing world, you need to take risks, you've got to make snap decisions, you've got to be able to say yes, QUICKLY! The major is against innovation, it's hard to get an answer AT ALL, never mind YES!
You want to give your new track away for free? No! They won't even let you SELL IT if it competes with the track they're working at radio/in the marketplace. It's not about artistry, but commerce.
But, if all you care about is commerce, if you want all your money up front, if you want to whore yourself out to corporations, do whatever it takes to sell your lame, paint by numbers, built by committee music ... then sign with the major label. I hope you achieve your goal and get instantly rich, because after this instant, you'll be done.
Hey Bob, I was reading about the marketing techniques of this minor league baseball team owner on different ways he attracts people to games by not being a marketing "purest." Reading the story, I instantly thought about your repeated suggestions to market outside of the box. So I thought I'd forward this to you.
Awful Night - Attempting to produce the worst atmosphere ever at a baseball game, the Altoona Curve had music by William Shatner and Milli Vanilli, a gate giveaway of a 12-inch square of bubble wrap, pregame autograph sessions with non-celebrities, and a special presentation to the 1962 Mets -- baseball's worst team ever.
Silent Night - The Charleston Riverdogs went for another record against the Capital City Bombers when they tried to play the quietest game ever. For the first five innings, there was no talking. Fans wore duct tape over their mouths and held placards that read "YEAH!," "BOO!" and "HEY BEER MAN!" Also, ushers were replaced by librarians and golf marshals held up "Quiet Please" signs.
Richard Nixon Bobblehead Night - The Nashua Pride decided to commemorate the 32nd anniversary of the Watergate break-in by giving out 1,000 Nixon bobbleheads. Anyone named Woodward or Bernstein got in free, and there was 18 1/2 minutes of silence recognizing the gap in the Watergate tape.
Ted Williams Popsicle Night - When Williams' body was cryogenically frozen, the Bisbee-Douglas Copper Kings gave popsicles to the first 500 fans.
"Hey, we're playing again at the Corner Bar this Saturday. Please stop by."
Or ...
"Come help us celebrate George Costanza Night this Saturday at the Corner Bar. Make sure you're there at 11 PM for the George Costanza look-alike contest. The winner will get a half-eaten eclair and a double-dip chip."