Wednesday, October 3, 2007

Radiohead & the Set Your Own Price Debate

Radiohead is the latest high-profile band to not renew a major label contract and continue on as an indie. The band will release its 7th album, In Rainbows, on Oct. 10. The entire album is available as a digital download from www.inrainbows.com for whatever price the purchaser wants to pay.
Here's a great observation from the TechDirt blog, which points out that there's more going on here than just free downloads.

Rather than just offering up the content, [Radiohead is] also trying to give people a reason to actually buy something else. In this case, it's a "discbox," which will include the new album on both CD and vinyl, as well as an additional CD of seven extra songs and photos, artwork and lyrics. The whole thing will be packaged in a nice container.

In other words, the band is following in the footsteps of folks like Trent Reznor, in realizing that the music is promotional for other stuff -- and you can still sell stuff if you make it worthwhile. In this case, Radiohead isn't really selling the "music." After all, you can get that for free. They're selling the full collection of stuff that comes with the music. Funny how it's the musicians, and not the record labels, who seem to realize that adding value and getting people to pay for it is a business model that beats suing fans.

Also worth reading is this other TechDirt post:

With Radiohead's new business model getting so much attention, we're hearing a bunch of folks start to claim that this kind of business model only works for big, established bands. Funny thing is, when we point to smaller artists doing similar things, people say that such a model may work for no-name artists, but couldn't possibly work for big pop stars, who would inevitably lose money.

The fact is that a business model that involves using the music as a promotional good can work for both small and large bands if you understand the economics of infinite goods and how to apply the appropriate business model based on the stage of the musician's career.

The simple fact is that these types of business models allow some less well known musicians to have a career in music in the first place -- whereas in the past they may have been forced out of music into another job. It's opened up plenty of new possibilities for ways to make a living by growing a fanbase and charging them for additional (scarce) products.

Thanks to indie musician Alun Parry, who was the first to make me aware of this Radiohead story. He's been using this "choose your own payment plan" method for some time now. He cleverly calls it Buskernomics.

Parry, a former Liverpool Echo Busker of the Year, says, "When I was a busker I made my music freely available and bought my first guitar with the proceeds. So why not do the same now. I let people decide how much they want to pay, whether that be free or whether that be lots more. It's up to them."

-Bob

Did you enjoy this blog post? Subscribe now and get all of my newest ideas delivered by email or RSS feed. Learn how here.

What people are saying ...

"Your MySpace book is brilliant. Two of my artists worked all weekend updating their pages based on several tips and ideas you provided." -Leanne McNeil, PopArt Management

Promote Your Music on MySpace
Make the most of the world's biggest social networking web site with this great primer on MySpace Music Marketing. Available in paperback or ebook format. Get more details here.

No comments:

Post a Comment